A finely carved and polychrome-painted wooden putto, likely from the late Baroque period (17th-18th century), originating from a chapel near Lienz, Austria. This gracefully poised cherub is depicted in a dynamic contrapposto stance, characteristic of Baroque sculpture, with one arm elegantly raised and the other delicately extended. The carving exhibits remarkable craftsmanship, particularly in the expressive facial features, softly rendered curls, and lifelike coloration that accentuates the cheeks, lips, and eyes. Traces of gilding highlight the flowing drapery, adding a rich decorative element that enhances its visual appeal.

Putti, frequently seen in religious art and architecture of the Baroque and Rococo periods, symbolized divine presence, innocence, and celestial beauty. Their presence in chapels and altarpieces often conveyed a sense of movement and ethereal grace, reinforcing the spiritual themes of the era. This piece reflects the stylistic influence of South German and Austrian Baroque sculptors, such as those from the school of Johann Baptist Straub (1704-1784) or the workshop traditions of Tyrolean ecclesiastical artisans.

The back of the figure features a hook for easy mounting, suggesting it was originally intended as part of a larger altarpiece or architectural ornamentation. Its well-preserved condition, with visible signs of age-appropriate wear, lends authenticity and historical depth. A superb example of Baroque religious artistry, this putto would make an exceptional addition to a collection of ecclesiastical antiques or period decorative arts.

Artist: Austrian (East Tyrol) School
Issued: Mid 17th-18th century
Dimensions: 21"L x 13.50"W x 28"H
Country of Origin: Austria
Provenance: Chapel near Lienz, Austria; John and Johanna Bass Collection, New York, NY; Bass Museum of Art, Miami Beach, FL, 1963.

Age related wear.